Sentires
A piece created during the pandemic — an invitation into the artist's inner world. First show of the Bailar y Vivir project.
- Vancouver
- Switzerland
- Italy
- Greece
- São Paulo
- and other parts of the world

"Dancing is a demonstration of my feelings, a discipline of life, an expression of freedom and love for my roots, my country and my convictions."
I was born in Argentina and started folklore at the age of six. I joined Ballet Brandsen as a professional dancer, never letting go of my Santiago del Estero roots — every summer I traveled there to train with dancer Carlos Saavedra. In parallel, I studied classical concert guitar at the Thibaud Piazzini Conservatory from age nine until seventeen.
With Ballet Brandsen I had the chance to perform as a leading figure in numerous productions — alongside Mercedes Sosa, Horacio Guarany, Mariano Mores, and in one of the final tributes to Osvaldo Pugliese at Teatro Colón. We toured throughout Latin America: Brazil, Chile, Peru, Uruguay, Paraguay and Mexico. As a soloist I was invited by Juan Saavedra to the Chacarera Festival in Santiago del Estero.
I started tango at sixteen and trained with the most recognized dancers and milongueros of the time: Julio Balmaceda and Corina de la Rosa, Vannina Vilouzs, Gustavo Naveira, Graciela González, Chicho and Lucía, and Tete. My technique blends the traditional milonguero style with modern figures, preserving what is essential — the embrace, balance, the integrated fusion of the couple, and the musicality of each orchestra. I have led seminars in Buenos Aires at Club Almagro, Galería del Tango, Torcuato Tasso and La Viruta.
From 2001 to 2004 I was based in New York, where I regularly taught folklore and tango workshops, traveling to other cities in the US and Canada. During those years I shared the stage with dancers including Diego di Falco, Junior Cervila, Roberto Reis, Pablo Verón, Omar Vega, El Tete and Pablo Pugliese.
I have danced and taught tango for more than twenty years. In my classes I combine technique with pedagogical and sensory tools to encourage an expression that is genuine and free of stereotype.
In my continuous search as an artist and teacher, I took up other disciplines — theatre, aerial silks, percussion and boleadoras. That multidisciplinary training widened my stage vocabulary and allowed me to develop and create my own shows.
A piece from home · 2021
Sentires was born from the need to express during the pandemic — a piece made from the warmth and intimacy of home, the place where the experiences that build and unbuild us take shape: fears, loves, the desire for freedom.
It is a physical and metaphorical space where actors, musicians and dancers — moved by their muses and emotions — invite us into the intimacy of their soul through their creations, in the language of Argentine dance and music.
It is the first show of the Bailar y Vivir project. It has been presented in Vancouver, Switzerland, Italy, Greece, São Paulo and other parts of the world. The goal is for the audience to consciously enter into contact with the work — turning a moment of reality into emotion, beauty and message.








A piece created during the pandemic — an invitation into the artist's inner world. First show of the Bailar y Vivir project.
Between 2007 and 2016, together with Ernesto Terri, we created and directed shows with Bien de Rioba Producciones — tango, circus and folklore in dialogue, staged in Argentina and across Europe.
Tango, circus and folklore. A full-scale show with musicians, dancers, trapeze artists, jugglers and clowns.
Tango, music and acrobatics — a meeting of stage languages.
Urban acrobatic tango across ten simultaneous stages. Productions for Audi Forum and Autostadt (Volkswagen).
My aim is to develop freedom of movement, perception, sensitivity and interpretation — understanding dance as a personal and artistic experience.
Traditional milonguero style open to the modern. Work on the embrace, balance and musicality. Couples and individuals.
Zamba, chacarera and other traditional dances with Santiago del Estero roots. Pañuelo work, footwork, body percussion.
I want my students to find their footing in the music and in their own connection, to develop their identity as dancers and to find greater freedom and artistic independence.
Interested in a class, workshop or residency in your city? Write to me — I travel regularly across Europe, the Americas and Asia.
For classes, bookings, artistic projects or Sentires licensing, write to me directly. I reply within a few days.